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Barry Sparks Interview March 2002 |
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Your
first real gig was with guitarist Guy Mann Dude, I believe that the
material was in a Metallica vien, why did that gig not last? You
hooked up with Yngwie for 'The Seventh Sign' tour, do you know how
Yngwie got to hear of you? What
attracted you to playing with Yngwie in the first place? Did
you have to do an audition, if so can you remember what tracks you
played at it? The
'Live At Budokan' DVD from The Seventh Sign tour sees you using a
pick exclusively (which Yngwie has often stated he prefers), yet pics
from the Magnum Opus tour show you using your fingers, did you get
your own way in the end? Did
you have to adapt your playing as I would imagine some of the material
is pretty demanding with fingers like 'Trilogy Suite Op.5'? You
then recorded the 'I Can't Wait EP' and the 'Magnum Opus' album, where
these sessions basically Yngwie telling you what to play or were you
given some "artistic license" and able to contribute bass
parts? Deservedly
so or not, Yngwie has aquired a certain "reputation" within
the industry. How would you describe your working relationship with
Yngwie? How
has playing in Yngwie's band affected your post-Yngwie career? Have
you founnd that it gives you more credibility, or gave you more offers
to join other projects? What
led to you leaving Yngwie's band? Was it your decision, Yngwie's or
just natural progression? Have
you kept up with Yngwie's material since your time with him, if so
what do think of his latest works? You
have recorded a couple of albums since the YJM days with Michael Vescera
['MVP - Windows' and 'Roland Grapow - Kaliedoscope'], will you and
Michael work together again in the future? The
'Kaliedoscope' album was superb, will you be working with Roland Grapow
again now that he is out of Helloween? You
have played on a few Michael Schenker albums, what was working with
Schenker like? Your
recently gigged with Uli Jon Roth, it must be quite a thrill to play
with all these guitar legends, Uli's music is again back to the more
complex side of things, is it the complexity of material that attracts
you to these kind of gigs? How
old were you when you started playing bass? When
did you start to realise that there would be a future in music for
you? I
know your solo album 'Glimmer Of Hope' is perhaps your favourite release,
can you tell the readers of GA a bit about the album? Where
can people pick up the album? Amazingly
you also manage time to be in a side project with Jeff Kollman called
Cosmosquad, what is the state of play with the project - any albums
or gigs/clinics in the pipeline? You
have just become the new bassist in Dokken, how did this oppurtunity
come about? How
is it working with Don Dokken, John Norum and "Wild" Mick
Brown? Can
you give us a some insight into what to expect of the forthcoming
Dokken album "Long Way Home"? Thanks
for your time Barry, do you have any parting messages for your fans
out there? Thanks Barry for finding the time to do this interview. Official
website
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